#Different strokes season 1 episode 4 series
#Different strokes season 1 episode 4 tv

Dana Plato was making as much as $22,000 per episode on Diff'rent Strokes.

Gary Coleman got $1 million a year when the show went into syndication.

Gary Coleman won a settlement against his parents for about $750,000 in a court case.

NBC liked their script reading so much, no pilot for Diff'rent Strokes was made, the first episode aired November 3rd. Conrad Bain become involved in developing a different, better version of '45 Minutes from Harlem', and for the new show, Gary acquired a brother (Todd Bridges) and the rich man character (Bain) now was living on Park Avenue with his teenage daughter and a middle-aged housekeeper-all with the well defined, believable personalities. It was called '45 Minutes from Harlem,' and it was about a rich man in the posh suburban town of Hastings-on-Hudson, N.Y., who adopts a black kid from the Harlem ghetto. The producers came up with an idea that seemed to be workable.

Early in 1978, Tandem wanted to team Gary up with Conrad Bain, the urbane, middle-aged Canadian Scot who starred in 'Maude'.

George Jefferson's nephew Raymond) and Good Times (as an obnoxious kid named Gary Daniels from the Lear then decided to groom Gary through guest appearances on such shows as The Jeffersons (he played Three episodes of 'The Little Rascals' were filmed with Gary playing the role of Stymie, but no one bought the series. Before returning home, he was summoned to Tandem Productions for a possible role in a proposed new 'Little Rascals' series.

#Different strokes season 1 episode 4 tv

Gary had done several TV commercials in Chicago when he was called to Hollywood in 1976 to do a commercial. Gary Coleman vaulted to network stardom after wowing producer Norman Lear with an unexpected, impromptu audition.He earned over $7 million while starring on the show. At one time, Gary Coleman was making as much as $80,000 an episode.Conrad Bain was making about $25,000 per show. Todd Bridges was making about $15,000 per show. According to a 1982 article Gary Coleman was making $50,000 per each episode- or about $1.3 million for the 1981-82 season.

He held out again in 1981 while they started to film without him. $30,000 per episode (as opposed to the $1,600 he'd been getting). 'more money, added benefits, and a bodyguard.' Specifically, he wanted

In July of 1979, dumpling-cheeked, pudgy prodigy GaryД¬oleman held up shooting on the show because, it was reported, he wanted.

See the link on the left frame for my little page on the show. It aired on the Cartoon Network in reruns until several years ago.

#Different strokes season 1 episode 4 series

There once was an animated series called 'The Gary Coleman.There was one spinoff of Diff'rent Strokes (TheДЇacts of Life) and one crossover series (Hello, Larry).Show, the characters, the cast members, etc. Let's salute the king and count down the ten most memorable, very special-est 'very special episodes' of Diff'rent Strokes.This section contains interesting facts about the Soon, everyone was following suit, from Webster learning the birds and the bees to Jessie's caffeine pills on Saved by the Bell. In later seasons, it seemed as half the episodes ended with a serious moral lesson for Arnold, Willis or Kimberly. With kids as the central characters - still a relatively novel idea in the late 1970s - both sitcoms transferredВ the themes and plots of afterschool specials to primetime. Punky Brewster gave CPR to a friend who hid inside an abandoned refrigerator.Д«ut no TV series delivered more 'very special episodes' than Diff'rent Strokes, or its spin-off The Facts of Life. Ricky had to deal with his friend being abused on Silver Spoons.

Belvedere and The Hogan Family contracted HIV. (See:В 'Give Uncle Arthur a Kiss' and Tom Hanks in 'Say Uncle.') Characters on Mr. You remember these 'very special episodes.' Whenever an uncle turned up on Family Ties it was typically bad news. In the 1980s, family sitcoms tackled heavy issues with such regularity that they should perhaps be reclassified as dramedies. Sometimes, you're not supposed to laugh at a sitcom.